![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtABGauQBwHLt0T37ympsIjhsKqAaE_L8UHI6bzflL3eyKp_Hl5Q8lRlfKkWuaWPvN46LiGTvuRj4n2lzvpkh2ihdi2FMcP9lL2ELlsjac_Qi1FOuINXwMuLEGKB3D6TuEOf5nVBmM5ZZk/s400/photogarlic_test1.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPFKh6sXYNvIpNBENW2qJjg4PU5bWzscu6e6QreDyuTT3GU1XTPJxvr4C_6aIUcK6fQmF9eGFMbtQ14pGePPjUTqbxpGN3q6sjuAS7kXBX9b88yqSZEYX2GtkpEs7-1IBZLvSqzaeR6YCv/s400/garlicpainter_test1.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1mcRB_YC1yV4P4uLcyDOi7O6K6wxaTBCGpOHv1OzkisiSD1IdEjpAiB3n8VZCkBpH1ZJczr56OVxsRwddsdDVBNUHj2m1kJ9GdnTNq1I25kiVYADVL7v632S55DRS82km8a5F4QQ3aXBq/s400/orig.jpg)
I got more of what I wanted out of Photoshop with the watercolor than I did from Painter. I took a big speckley brush and opened up the spacing and jittered the angle. I masked those marks with a bristley brush set to wet edges and used that same wet edges in overlay to get the way that watercolor marks look darker at their edges. I think Painter does a much better job at the loose ink brushwork. I wasn't doing a good job of matching the saturation in the photoshop version.
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